A group of women go on a corporate trip but wind up doing anything but business while on company time.

Mi-na, the boss of this joint called ‘Handsome Business Trip Massage,’ is running a shop where they only hire male staff. When a customer calls in, they’ll hook them up with the specific person they want and send them to wherever the customer wants. Now, one of the guys on the team is Sang-woo. He’s a bit older, but this is his first time diving into this kinda gig. He’s never given a massage before, and he’s never been in a relationship with a woman either. So you’re wondering if Sang-woo is enjoying all this, huh? Meanwhile, we got another dude named Tae-joon. He’s one of the staff members, and he’s got a thing for our boss, Mi-na. But here’s the twist: Yoo-jin, a female customer, got her eyes on Tae-joon. And poor Sang-woo, he doesn’t have a clue that Yoo-jin is into him. Mi-na’s got her hands full tryna figure out what to do with this whole tangled mess of employees and customers. It’s a headache, man.

Min-seok, who is always tired after work, decides to start exercising and asks his assistant manager Yoon-soo, who works at the same company, for some tips. As Min-seok begins working out, he finds it difficult to keep up due to his lack of stamina. Feeling down, he enjoys a pleasant drink with Yoon-soo. Impressed by Min-seok's effort, Yoon-soo makes a call and arranges a special business trip massage service for him. Later, both of them receive a 2-on-1 massage service at home from two beautiful women.

Joo-hee received a community service order for assault and extortion. Although she laments her boyfriend, Dong-hwa, Dong-hwa is having a good time with her cheating woman, Joo-hee. When Joo-hee visits her guardian's house and finds out that only her husband Hyeon-goo is there, she is about to leave the house, but Hyeon-goo makes a secret proposal to Joo-hee.

“Analog Trip”记录了从10代至今不留空闲全力奔跑的他们所获得的特别休假。瑜卤允浩、最强昌珉、利特、神童、银赫、东海如同常人一般，回到自己练习生时期的2002年，仅带一本旅游导游手册开始背囊旅行，回首为了梦想奔波的过去，分享着回忆和友情。六名男子的坚固友情，以及大自然中肃然起敬的样子，这期间在放送中无法看到的坦率真诚和情感倾吐都将全部收录。

On a calm night in an average city a hardworking URYDE driver, Brandon, picks up just another fare, Judd. Using interactions that blur the lines between the technological world and the physical one, Judd explains a messy breakup. Brandon offers an empathetic ear and a sympathetic heart to his new friend to help him pick up the pieces. Aggregated profiles, algorithms, links, likes and comments bring people closer. But how close is too close?

Summer vacation of the last year of high school, Yu-na and He-yoon go to Incheon, deceiving their parents to go to a rock festival. However, the concert which they want to see is postponed until the following day. They have no choice but to book tickets for tomorrow and decide to spend one more day in Incheon. The next day, the tickets that Yu-na definitely held in her hand the previous day disappear. He-yoon contacts her cousin to borrow money…

Sometimes you can live your whole life in a few days... A high school graduation trip in which love, friendship, desire, illusion, innocence and the forbidden are all part of the adventure. Charm and disillusionment shine through teenage friendships as the characters try to understand what is happening to them and what they should do with their future.

治愈100%充电旅行。super Junior 利特、东海和厉旭去大韩民国主题旅行10选地进行放松旅行。

Mountain Trip is a cinematic myriorama constructed of hundreds of Austrian postcards, which reflect a country's hackneyed trappings as no other medium can. (Siegfried A. Fruhauf) 　　The parameters of this experiment have been clearly defined: Two rows of postcards with mountain motifs (the cards in the upper row have been turned on their heads) are juxtaposed in such a way that mountains point to other mountains, the denouement of a massif butts up against a meadow, etc., resembling Chinese "cadavre exquis" cards which can be arranged to show an endless landscape. The camera pans to the right, and its speed varies while alpine folk music plays in a monotonous loop. 　　One would expect the camera's movements to accelerate, the mountains flowing together into a blurred line. Instead, Fruhauf works with imponderabilities, breaks and irritations. The acceleration is not continuous; there are new approaches, repetitions of motifs and jumps. The transitions shift and are jerky as if the postcards were held in someone's hand; the unity of the individual shots is extremely unstable.... 　　While the observer's gaze willingly accepts the alpine panoramas at first, it is gradually channeled into the undercurrent of something in between, the irregular border between top and bottom. The accuracy of detail in the mountain genres (according to statistics, most people still think of a mountain landscape when asked to imagine a "pretty picture") dissolves into a non-referential dynamic. One is reminded of how the borders come alive in the course of several hours in Michael Snow's La région centrale and may regret that this trip ends after only four minutes. (Birgit Flos)